Father and young sons
Looking at Laocoön
Museum torture
So, this past weekend, the Classical Association of the Middle West and South conference was sharing space at the Waco Convention Center with the Predator & Wild Hog Expo and the Modern Sporting Arms Expo. It made for an unlikely but interesting combination of conventioneers. After listening to a panel on the nuances of Roman love elegy, I made my way over to the exhibition floor.
This was truly the most amazing collection of weaponry I have ever seen. Guns of every variety were available–really big scary ones–as were nets, camping equipment, elaborate camo get-ups, portable stands, etc., etc. I counted at least three helicopters on the expo floor, props to promote “Heli-hunting” safaris where you track boar and shoot them from the air. I took a few discreet pictures with my iPhone, but these do not do justice to the sheer extent of items dedicated to apricide. I bought a T-shirt from a boar decoy provider, who also gave me a free beer koozie though they declined my challenge of saying “boar decoy beer koozie” ten times fast.
In front of one of the helicopters was a stand set up for something called “Hogs For A Cause.” A sign to pique the curiosity, to say the least. I stood before it until there appeared a gentle soul in a ten-gallon hat named Don, who read my mind. “So, you’re trying to figure out what we do?” Turns out HFAC (whose website is here) is an evangelical ministry connected with a boar-hunting operation. As their mission statement reads,
Hogs for a Cause has been given stewardship /access to property that is overrun with hogs. We provide guided hunts at no cost to anyone interested in hunting. These hunts reduce the feral hog population and the meat eases the financial burden of local families. Each hunt is accompanied with a short gospel presentation.
“So, is this like Hunters for the Hungry?” I asked. HFTH is a program organized through the Tennessee Wildlife Federation that joins hunters up with local processors for distributing free venison to the needy. “No,” he replied. “We give our meat out to everyone. Mostly it’s sausage we make. The other day we gave a bunch to some guys I found out later were millionaires. Look, everybody needs the Gospel–and everybody loves sausage.”
Hard to argue with that. Well, I suppose I could argue, if I really wanted to. “And the swine, because it divideth the hoof, yet cheweth not the cud, it is unclean unto you: ye shall not eat of their flesh, nor touch their dead carcase” (Deut. 14:8; cf. Lev. 11:7) et cetera. And the whole “bloodsport for Jesus” thing verges on self-parody. But Christ himself once killed a bunch of pigs, so I guess there’s good precedent for his followers in central Texas.
For he said unto him, Come out of the man, thou unclean spirit. And he asked him, What is thy name? And he answered, saying, My name is Legion: for we are many. And he besought him much that he would not send them away out of the country. Now there was there nigh unto the mountains a great herd of swine feeding. And all the devils besought him, saying, Send us into the swine, that we may enter into them. And forthwith Jesus gave them leave. And the unclean spirits went out, and entered into the swine: and the herd ran violently down a steep place into the sea, (they were about two thousand;) and were choked in the sea. (Mark 5:8-13)
Introduction to the Stacy Allen Haines Memorial Lecture
Convocation Hall, University of the South
Sewanee, Tennessee
April 9, 2014
Perhaps it is true, as Auden says in memory of Yeats, that “poetry makes nothing happen,” but all I know is that today the sun has been shining in Sewanee and Charles Martin is here. Winter has released us from its clammy grip, the swallows return to their old familiar haunts, and the song of the Martin is heard again on the mountain. Many of you will already know of Charles’ frequent appearances at the Sewanee Writers’ Conference, or of his long-standing connection to the Sewanee School of Letters, where he has been teaching poetry now on and off for a decade. So, for these reasons, I always associate Charles with the summertime, with good weather and good humor. Just last year he and I were talking, over gin and tonics as I recall, about his new translation (with Gavin Flood) of The Bhagavad Gita from Norton. It’s not a work you might associate with banter over cocktails, but I had to laugh when he responded to my questions about working on it. “Well, I had help from a slender volume called Teach Yourself Sanskrit,” he said. “It’s the most hopeful title on my bookshelf.”
Charles is a professional translator, you will know, and many of you I hope will come out to see David Landon and company’s staging from Charles’ version of The Medea in the Gailor Auditorium tomorrow at 4:30. I can see quite a few students here who are using Charles’ translation of Ovid’s Metamorphoses that Norton also published—in 2003, a year that also saw versions by David Raeburn and Michael Simpson. In an omnibus review of these various Metamorphoses, the Sewanee Review noted, “Utilizing a flexible blank verse that sometimes resembles Shakespeare and elsewhere veers toward rap, Martin’s is the most successful of these new translations, best suited to “speak now of forms changed / into new bodies,” as we find in the proem. Having parsed through the passions of Catullus, Martin is perhaps in the best position to render Ovid, whose spirit this translation seems to have deeply imbibed.” As you may know, the Metamorphoses is awash in Latin puns, and often Charles substituted a joke of his own in a different place, as for instance, when Jupiter reveals himself to a “[quote] cowed Europa on the isle of Crete [endquote].” Unforgiveable, isn’t it? And precisely what Ovid would have done, had he written in English instead of Latin. It’s an excellent translation, I think, and unless you think the American Academy of Poets gives out the Harold Landon Prize for no good reason, you’re bound to agree with me.
But I must confess that I first came to know Charles rather as a critic than as a translator, when twenty years ago, his marvelous study of Catullus was issued under the Hermes imprint by Yale. Now this book came out not a minute too soon, as far as I was concerned as a graduate student preparing for my oral exams at Chapel Hill. There are few ancient poets as naughty and vital as Catullus, and even that late in my graduate career I was having trouble getting beyond a sort of adolescent appreciation of his work. But here was a bona fide close reading of Catullus, with brilliant analysis after brilliant analysis of this darkly bright Roman poet. What I recall with particular pleasure was that moment in the oral when one of my examiners fixed me a cold stare and asked me to explicate the relationship of Catullus’ longer poems to one another. This was a scary proposition, or would have been, but rather than faltering and failing, I trotted out the entirely convincing theory about their unity “from a new book by Charles Martin,” I proclaimed loudly. And let me tell you, to cite Charles Martin under those conditions was truly to know the feeling of having one’s bacon saved.
Now it’s interesting to me that, in preparing for this introduction, I went to look for my copy of Charles’ study of Catullus, and realized I had lent it sometime ago to a student who now is teaching in Nashville, who herself uses it with her students at MBA. I happened to see her in Texas at conference this weekend, and she told me she wasn’t going to give it back because it was too valuable to her, and so I will have to buy another and get Charles to sign it for me later. But when I was flying to Dallas, I brought Starting From Sleep with me to read on the plane, Charles’ collection of New and Selected Poems from 2002. And even though we were flying over stormy weather, still I felt at peace. So much of the vitality I associate with Catullus is present in Charles’ poetry, though perhaps not the naughtiness—unless you count calling the Eucharist “Wonder Bread” in Getting the Miracle Wrong or the opening of Victoria’s Secret, which reads—
Victorian mothers instructed their daughters, ahem,
That whenever their husbands were getting it off on them,
The only thing for it was just to lie perfectly flat
And try to imagine themselves out buying a new hat.
Now there’s more like this, and I could go on, but I won’t, because the person you came to hear read this delightful poetry is not me but the winner of the Poetry Foundation’s Beth Hokin Prize, as well as a Pushcart Prize, the American Academy of Arts and Letters’ Award for Literature, and the aforementioned Academy of American Poets translation prize; the winner of fellowships from the Ingram Merrill Foundation and the National Endowment for the Arts; a beloved and inspiring teacher at Queensborough Community College, John Hopkins, and here at the University of the South, a great wit and a great friend, and today’s lecturer in the Stacy Allen Haines Memorial Series, Charles Martin.
The following note was sent to my Franklin County School Board colleagues.
Dear Colleagues,
I want to make sure that, in connection with our annual review of Section Six Policies in April, we pull Policy 6.31o4, on corporal punishment, out for specific discussion on Monday, April 7th. To be clear, I oppose this policy and would like to see it deleted.
As I say, I think we need to have a conversation about this particular policy. I have had a few constituents express concern to me about paddling. While some are aware that they have the right to opt out of the policy individually for their own children, the issue is larger than individual preferences.
My position has nothing to do with the way people privately discipline their children. What people do in their own homes raising their own children is not the county’s business, within reason. Some people approve of spanking, others do not. But once children are in the schools, in a public place, they should be treated as they would be in any other public place. As a county, we do not want people hitting other people–that is just not the sort of place we want to live in.
In my opinion, the schools –as the first public place most children enter– should model safe and respectful public interaction. Policy 6.3104, which allows adults to paddle children who are not their own, is counter to that spirit. While it once made sense for the schools to act in loco parentis, in the place of parents, concerning discipline, it is now time to re-think the policy in terms of children’s personal safety and future behavior as citizens.
I look forward to talking more about this with you on April 7th.
Yours,
Chris McDonough
Representative, 5th District (Sewanee, Sherwood, Keith Springs)
Policy 6.3104 Corporal Punishment
Any principal, assistant principal or teacher may use corporal punishment in a reasonable manner against any student for good cause in order to maintain discipline and order within the public schools1 in accordance with the following guidelines:
1. Corporal punishment shall be administered only after other less stringent measures have failed, or if the conduct of a student is of such nature that corporal punishment is the only reasonable form of punishment under the circumstances;
2. The instrument to be used in administering corporal punishment shall be approved by the principal;
3. Corporal punishment shall be reasonable;
4. Corporal punishment shall be administered in the presence of another professional employee, preferably the principal or assistant principal. Corporal punishment shall be appropriately administered in the office area;
5. The nature of the punishment will be such that it is in proportion to the gravity of the offense, the apparent motive and disposition of the offender, and the influence of the offender’s example and conduct on others; and
6. In determining the use and degree of corporal punishment, consideration will be given to the age, sex, size, physical and emotional condition of the child.
A disciplinary record shall be maintained by the classroom teacher and/or administrator and shall contain the name of the student, the type of misconduct, the type of corporal punishment administered, the name of the person administering the punishment, the name of the witness present and the date and time of punishment.
Disciplinary records shall be filed in the school office and made available to parents or students, whichever is appropriate.
This is a talk I was asked to give for new student orientation way back in 2005 here at Sewanee.
Two Ways About It
New Student Orientation Talk
Guerry Auditorium
Sunday, August 21, 2005
Good afternoon. Let me be among the first of the many in the coming days who will say, Welcome to Sewanee. It will grow tedious hearing that, but don’t doubt the sincerity of all of us who will say it, because we’re really glad you’re here.
Although, I’m going to admit to you, too, that in some ways, I’ve also dreaded your coming. Because it means, I’m back to work, back to the classroom, back to office hours, back to grading. Have to give exams, have to give talks. Have to wear this thing, which I seem to remember is called a tie. Can anybody confirm that for me?
Nope, the sad fact is I can’t keep hitting the snooze bar on it anymore. Summer is over, and there’s just no two ways about it. But even as I say it, I realize that that’s not entirely accurate. Because there are, there really are two ways about it. And this is the title of my talk.
Let me explain. I have always thought of the summer as being much like a long weekend: you know, June is Friday, July is Saturday, and August is Sunday. Friday is great, a release from the routine, a time in which you can do anything but the routine, and Saturday is an entire day dedicated to release from the week, which is all arranged and organized, with everything predictably in its place.
But what makes Friday and Saturday so great is that they’re unstructured, they’re not part of the structure of your week. They are just the opposite, they are anti-structure, characterized by potential. Anything is possible. What’s not to love? And yet, somehow, that extra day, Sunday, doesn’t seem as great, does it? In part, it’s the knowledge that you have to go back to school, back to work, back to the routine the next day. But that’s really only a part of it, I think. The other part is this: in fact, none of us really likes too much release from routine, none of us is really all that comfortable in the anti-structure. The demand of the potential is enormous. It’s the pressure of the blank page, the empty computer screen, of being asked to speak before a group of strangers, of sitting in an unfamiliar room, of arriving to a new place. Do you know what I mean?
One of my favorite books is by George Orwell. Not the novels 1984 or Animal Farm, which many of you may have read in high school perhaps, but rather his memoir of fighting in the Spanish Civil War entitled, Homage to Catalonia. In one chapter, Orwell describes a midnight raid that he and some of his fellow soldiers have to make on a fortified church. They’re crawling slowly across the field between their trenches and the enemy fort, going at a snail’s pace so as not to attract the attention of the enemy. As he writes,
But on the sodden ground it was almost impossible to move quietly. Do what you would your feet stuck to the mud, and every step you took was slop-slop, slop-slop. And the devil of it was that the wind had dropped, and in spite of the rain it was a very quiet night. Sounds would carry a long way. There was a dreadful moment when I kicked against a tin and thought every Fascist within miles must have heard it. But no, not a sound, no answering shot, no movement in the Fascist lines. We crept onwards, always more slowly. I cannot convey to you the depth of my desire to get there. (Homage to Catalonia, chap. 7)
That’s the line I like so much: “I cannot convey to you the depth of my desire to get there.” All of us, I think, know that feeling, the desire to be out of no-man’s land, the indescribable and overwhelming longing to be clearly one side of a thing or another.
Do you know what I mean? So here we are on a Sunday, a Sunday in August, between the release of the summer, and the routine of fall. As I said before, I have dreaded your coming, and my dread is over, because Thank God, you’re here. What took you so long?
Here you are, after a long crawl across a no-man’s land of your own. You hardly need me to point out that you’ve experienced a great many things in the course of the last year or so, from the beginning of your senior year in high school. SATs, ACTs, visting colleges, filling out applications, interviewing, getting rejections, getting acceptances, narrowing down the list, making a final decision. Never mind all the other important stuff, saying goodbye to friends, to to family, to home. It’s all very bitterswett, and it’s nice to be done with, isn’t it? But you’re not quite done. are you? You don’t really know your roommate, you haven’t picked any classes, you haven’t met your advisor, you’re not sure where all the buildings are. Not yet.
I remember the beginning of my freshman year, and realizing in bed the night before classes started that I hadn’t packed any pens, and I didn’t know where to buy any pens, and furthermore, I didn’t know anybody well enough yet to borrow a pen from. So there I was tossing and turning, in a sweat over a pen, and even as I was sweating over it, I knew it was stupid, and the fact that I knew it was stupid was no comfort at all. Like the man says, “I cannot convey to you the depth of my desire to get there.” The only thing that is comforting at such a moment, when even the stupidest little thing can set off the deepest anxiety, is the knowledge that you will get there, that there’s a there to get to. Eventually, I knew where to buy pens, I knew people to bum pens off of, I was well-supplied with pens. But I wasn’t then, not yet.
In the end, that’s what rites of passage are all about, a reminder of both Not and Yet. We move in our lives, from one stage to another, away from the past into the unknowable future. The present, at such times, is overwhelming because it is Not, not the past, but it will eventually be the future. One of the qualities of time is, of course, that it passes. Time just zooms by when you’re having fun. It moves a lot more slowly, though, when you’re not enjoying yourself, as for instance, when you have to listen to some middle-aged coot gassing on on a hot Sunday afternoon.
But it’s funny, you know, because the last rite of passage I took place in at the University was last May, graduation. I said goodbye to so many dear students, who were going away from here into their new futures, and all of them would say of their time at Sewaneee, It passed so quickly. For me, too: it seemed like they just got here. Right now, though, for you and me, poised between what’s coming and what’s been, time is hovering, not moving. Time seems to be at rest. What’s taking it so long?
I think in such times of rest, we are called upon to reflect on the Not and the Yet. I’m a classicist, which means I teach Greek and Latin, and for the ancient Greeks, the concept of the future was figured as “the time behind.” Not time past, mind you, but the time behind you. The Greeks thought of themselves as “backing into the future,” which is the title of a pretty good book on the Greeks by a scholar named Bernard Knox. For the Greeks, the past receded in view and out of grasp. It’s no longer with us, but that doesn’t mean it’s no longer ours. It doesn’t mean Not Anymore, or Not Ever Again, just Not Now. A lot of the time, that’s OK. On Saturday night, we’re aware that it ain’t Monday morning, and that fact usually doesn’t displease us. Knowing that we’re backing into Monday morning, back into the routine, makes us less panicky about release.
But here we are on Sunday, and you’re not sure what the routine is that you’re backing into. All you see is the past, and the unseeable future behind your back might be filled with holes or hills. Who knows? But it’s Sunday, like I say, so if I can switch metaphors for a moment, let me talk about the Bible. Now, not to worry, I don’t intend to give a sermon–if I were about to do that, I would be the first one to walk out on me.
So, some of you know the expression, “What Would Jesus Do?” I doubt that, when people use the expression, “What Would Jesus Do?”, that they really expect an answer like, “Well, he’d spit on his finger and rub them in your eye.” But, in fact, not only is this just the sort of thing Jesus would do, but it’s something he actually did, according to the Gospel of Mark.
They came to Bethsaida. Some people brought a blind man to him and begged him to touch him. He took the blind man by the hand and led him out of the village; and when he had put saliva on his eyes and laid his hands on him, he asked him, “Can you see anything?” And the man looked up and said, “I can see people, but they look like trees, walking” Then Jesus laid his hands on his eyes again; and he looked intently and his sight was restored, and he saw everything clearly. (Mark 8.22-25)
This is one of my favorite miracle-stories, for a variety of reasons, and not just because it features Jesus’ magic spit. If it weren’t Sunday, I’d make a joke about how Jesus’ magic spit restores hair and polishes silver, too, but it’s Sunday, so I’ll resist. But I have to say that I also really like the thought of Jesus sort of adjusting the tracking on this guy’s sight, and fooling with the auto focus in this miracle. “Better this way, or this way?” It just seems so much hands-on, as it were. I hope that my invocation of a story from the Bible hasn’t offended you, or that my facetious tone doesn’t make you angry. I bring it up, because I think the issues of the story have an unusual relevance.
The part of the story which strikes me as having such significance for us here today is the question, Can you see anything? and the man’s answer, that the people look like trees walking. Now, how does he know what trees look like, if he’s been blind? Upon reflection, the answer seems obvious, that he hasn’t always been blind . At some point in the past, he’s been able to see well enough to distinguish between trees and people, and now, although it’s been some time, he still can tell the difference. It’s fascinating to me that Jesus, who, if you accept the terms of the New Testamant, is omniscient, asks him whether he can see. Surely he knows that man’s sight hasn’t been restored one-hundred percent, but still he asks. The question he’s really asking is, I think, Is that good enough? And the answer he gets is, Well, no. Not yet.
It doesn’t come all at once, this transition from blindness to sight. Rather, it strikes me as being true, that instead of happening just like that, boom, we proceed in fits and starts: a big jump, and then the question, Good enough? The answer, Well, it’s better, but No, not good enough yet.
I think sometimes of this man’s situation, and wonder to myself, not What Would Jesus Do, but What Would I Do? Imagine some evening that you’re having a problem of some sort, and then, Bam! Jesus himself arrives in your dorm room.
“Uh, Hi, Jesus. Um. Wasn’t really expecting company. Can I get you something, cup of coffee, maybe?”
“No, my son, I’m good. In fact, I’m here to solve that little problem of yours.” And then Jesus solves it– maybe your iPod’s busted, or that new Dell laptop isn’t working. So now it’s fixed, except that it isn’t working one-hundred percent. And when Jesus asks if everything’s OK, you’re in the very awkward position of having to say, Well, no.
I’m being facetious, I’ll admit, but I’m not being disrespectful. You see, to say at that moment, No, required of the blind man incredible courage. That, to my mind, is the real point of the story from the Gospel of Mark, which is not simply a miraculous story of restoring sight, but is a lesson about courage. The courage to say that something could be better, that it could as good as it has ever been. This courage relies on another important concept, which is the quality we call discernment, and you cultivate it at times like this, when you are moving away from the past and make a point of seeing, as clearly as you can, what was best in it, so that you will know it again when you come across it. Have the courage and discernment to demand the best for yourself and from yourself, and you will take away from Sewanee what you come here to get.
You’re backing into the future, but the University is here to guide you, as best we can. Trust me, we’re not omniscient, and we sometimes disagree amongst ourselves about what’s best for you. We have in the last few months been discussing “curriculum revision,” which is another way of saying that we’ve been looking over our cire requirements, trying to figure out what we think makes for a generally educated person in our day and age. We don’t always agree on the specifics, and you will in your experience at Sewanee take classes with professors who will disagree heartily with one another about what’s important. If you like, you can be discouraged by the lack of consensus at the University, or, better, you can be excited by its richness and variety.
I think the one thing we all agree on, however, and that is that the time we have with you is short, barely enough time to start telling you all the things we want to tell you. A professor of mine once compared college to arriving at a great museum ten minutes before closing time. So much to see, so much worth seeing, and so little time to see it in! How to proceed under such conditions? Do you decide to run through a bunch of rooms in a hurry, or sit in the short time you have in front of the Mona Lisa, say, and get the most of that? Well, I suppose I’d be offering you a deadly combination of mixed metaphors if I told you to hit the ground running as you back into the future. I might also cause you to fall down. But I guess what I’m saying is that we’re painfully aware of how little time we have together, and I’m asking you to let us give you our best.
If you’re here at Sewanee, it’s because you are talented, and part of that talent consists of letting somebody guide you. For all of you, somewhere in the past, there is some teacher of whom you can say, He or she brought out the best in me. If you’re lucky, you’ve had more than one. You’ve had that experience, and so you know what it is to feel that you’re in excellent and capable hands. Now that you’ve had, you can’t expect less. It’s the difference between seeing things well, and seeing people like walking trees.
What that best will consist of, I can’t say for certain, but let me offer some possibilities. A really great teacher might recommend a book to you, and you jot in down in a notebook to go off and read over the weekend. And wow, it turns out to be astounding, life-changing. Or you’re in the woods one day, and someone points out a tree or a bird, and suddenly occurs to you just how beautiful it is, and how the world is so much more beautiful than you ever realized. Or maybe you’ve had to read something really boring for class, and you go to class, and the professor or one of your classmates says something which opens up a new world for you. These are small moments, glimpses of undreamt-of possibilities, sudden realizations of beauty and significance, of the way things are, truly are. This is the sort of education that comes from the presence of teachers. As the great 19th century scholar, John Henry Newman, once put it:
No book can convey the special spirit and delicate peculiarities of its subject with that rapidity and certainty which attend on the sympathy of mind with mind, through the eyes, the look, the accent, and the manner, in casual expressions thrown off at the moment, and the unstudied turns of familiar conversation. (Idea of a University, chap. 1)
It’s happening all aound us, but we must put yourself into a position to witness it. And note that I say “us,” not you. We who teach here learn as much from our students as our students do from us, but only when you challenge us, ask us to be our best, to put it as well as we can, and to be open-minded because you have things worth saying which you have the courage to say. We love that, we look forward to it, we dread it, and what took you so long to get here?
What do we want from you? What is it that the University expects you to become? Unsurprisingly, there’s no single, global answer to that question, and in many ways, it’s not a very intersting question at all. The way I’d put it is this, What do you want from you? WWUD? A great professor of mine was put this challenge to me, and I’m going to put it to you: Imagine the person you truly want to be, and then be him. Simple, isn’t it? And yet, the hardest assignment I’ve ever been given. I’m still working on it, and I hope someday to finish it. The challenge asks us to do an impossible thing, to imagine and to be, that is, to make our potential our routine. To be in constant state of envisioning and expecting the best, not as a special occasion but as a matter of course.
We can’t do it, and to put it more accurately, we can’t do it all at once. As Orwell says, “I cannot convey to you the depth of my desire to get there.” But what’s important is the desire, and the sense that there’s a there to get to. As the blind man says, “I can see … but.” knowing that he has made progress, but knowing enough to demand more. It’s Day Two of the orientation schedule before your freshman year, and before you and I know it, you’ll be walking out of All Saint’s as graduates. Time is hovering, and it’s hurrying, and if you find that confusing, all I can do is to admit to you that I find it confusing also. Or perhaps I should say it rich and exciting, or perhaps I should say we dread it and can hardly wait. What to make of it all, in the end? I don’t know, but let me offer you the enouraging words of the University motto, which you will walk over the last day of your senior year, Ecce quam bonum, Behold how good it is.
Welcome to Sewanee!
Another translation from the poetry of Boethius’ Consolation of Philosophy (3.4 metrum), on the worthlessness of worldly office, if it it bestowed by worthless people.
Quamvis se Tyrio superbus ostro
Comeret et niveis lapillis,
Invisus tamen omnibus vigebat
Luxuriae Nero saevientis;
Sed quondam dabat improbus verendis
Patribus indecores curules.
Quis illos igitur putet beatos
Quos miseri tribuunt honores?
Beyond his pearls and purples,
the excess Nero loved
the most was cruelty.
So consuls worthy of
esteem he never chose.
Such honors from above
no Nero could bestow, as
it was honor he’d none of.
Postscript. “Too many of’s,” I’m told by a critic I respect. Eh, oh well.